![]() ![]() This makes it easy to also record multi channel sequences from other MIDI-instruments in to the VFX-SD. Typical Ensoniq display with no graphics, only text for whole edit. ![]() This can be done either one track (MIDI channel) at a time or in multi mode with several tracks (MIDI channels) being recorded at once. The sequencer also allows for external MIDI input recording from other instruments. ![]() Auditioning of tracks after a recording or editing changes allows the user to 'KEEP' or 'CANCEL' a take if needed.The sequencer capacity is ~25,000 notes, but could be expanded to ~75,000 notes with an optional memory expansion kit. Because of the large fluorescent display, a lot of information and parameters are available at any one time, making the sequencer very intuitive to work with. #How to send sysx data to ensoniq sd1 fullA full set of editing tools are available, and can be done on specific time ranges set by the user: filtering events, merging tracks, quantize (at up to 96ppq), copy, paste, erase, etc. The sequencer (not included in the first VFX version) works in a sequence/song type fashion that allows 12 pattern tracks and 12 parallel song tracks. When SYS-EXOLD, the TS-12 will receive MIDI System Exclusive messages in both the pre. When SYS-EXON, the TS-12 will receive MIDI System Exclusive messages in the post-2.0. The voice structuring, comprehensive matrix modulation, controller keyboard settings and performance capabilities are pretty advanced and versatile for a synthesizer of this vintage. messages: When SYS-EXOFF, the TS-12 is not able to receive any MIDI System Exclusive messages. The VFX can be very deep and atmospheric by combining the waveforms themselves however, a single sound can contain up to 6 oscillators at a time, providing for some complex layered and detuned sounds. They covered the standard list of piano, bass, guitar, string and solo varieties, as well as many others, all to Ensoniq's high quality. The waveforms in the original VFX and early VFX-SD synths are 16-bit resolution with a sample frequency of approximately 39 kHz. Transwaves are also the only way to get the typical resonance sound since the filters of the VFX didn't have a resonance parameter. The wavetable positions and directions of scan could be modulated in a variety of ways, giving a very animated and 'alive' sound when programmed correctly. The Transwaves gave the VFX a unique sound as the only other instruments (at the time) using wavetable synthesis were the PPG Wave machines. The VFX employed 3 types of synthesis: Transwave Wavetable Synthesis, Sample playback and Subtractive Synthesis. ![]()
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